Something in the world forces us to think…
It may be grasped in a range of
affective tones: wonder, love,
— Gilles Deleuze
A Philosophical Quartet
Two related polarities in modern thought provide the theoretical webbing of Mood and Trope: Nietzsche versus Kant and Deleuze versus Heidegger. My choices are neither imperative nor arbitrary. What turns out to have been the origins of this project was an interest in how various philosophers have discussed the emotions and passions. Other combinations would fruitfully serve to organize a discussion of affect. This philosophical quartet is especially apt because…
In the final lines of The Trial Joseph K., never having learned the charges against him or discovered the process by which he was to be, or had been, judged, having gone with the two men who never answered his question “‘So you are meant for me?’” and been stripped of “his coat, his waistcoat, and finally his shirt” and then laid down against a boulder in a quarry and stabbed in the heart, his dying thought is “it was as if the shame of it must outlive him.”
Kafka died young, a month shy of his forty-first birthday in 1924. He had seen some of his stories published but none of his novels, including his three masterpieces, The Trial, The Castle, and Amerika, all of them still unfinished. He instructed Max Brod to destroy his unfinished manuscripts at his death. He did not want them to outlive him. The otherwise faithful friend and literary executor . . .
The sad absurdity of the Sanders left: Holding what the campaign billed “a racial and economic justice town hall” in Flint, Michigan, to rejuvenate his candidacy among African-Americans, Sanders set aside the speech he had written. Although he wants to be president of the United States, he apparently didn’t want to presume he could speak about black people’s aspirations and needs, so he yielded the stage to local activists and Cornel West. . .
From the Archive.
The American res publica has come to look more and more like race publics. Neoconservatives and neoliberals berate black leaders, usually singling out Al Sharpton or the Afro-centrists, for pushing politics based on racial identity. They object to traditional liberals and radicals for “injecting race” into political debate, for defending “race-based” social programs, for organizing constituencies and movements “by race.”
The political public sphere and the electorate have indeed been contoured according to “race” and racial identity. But the constituency whose beliefs and fears have been most significantly molded to their racial identity in the 1980s are whites.